
Hangzhou Botanical Garden spreads across the wooded foothills northwest of West Lake, combining scientific plant collections with the atmosphere of a large landscape park. Founded in the 1950s, it contains specialized areas for magnolias, azaleas, bamboos, medicinal plants, aquatic species and economic crops, together with research nurseries and mature native woodland. Streams, ponds and gently rising paths link the collections, while the surrounding hills provide a sheltered microclimate that supports rich seasonal change within the humid subtropical region. The garden is especially associated with Lingfeng Plum Blossom, a historic scenic tradition revived through extensive groves of flowering plum. In late winter, red, white and pale pink blossoms appear among old trees and stone settings, creating one of Hangzhou’s earliest seasonal displays. At other times, lotus, autumn foliage and dense summer shade alter the character of the grounds. Scientific labeling and conservation work distinguish the site from an ordinary city park, but its layout avoids rigid botanical rows. Plants are presented as living communities and cultural subjects, joining education and biodiversity with the garden aesthetics of the West Lake landscape.

Guo’s Villa is a compact Qing-dynasty garden on the western shore of West Lake, celebrated for the precision with which architecture, water and borrowed scenery are composed within a limited space. Built in the nineteenth century and later associated with the merchant Guo family, the residence is organized around courtyards, halls, covered walks, rockeries and a central pond. White walls and dark tiled roofs provide a quiet frame for reflections, while carefully placed openings draw the lake and distant Su Causeway into the garden as if they belonged to the private estate. The property is traditionally divided between a residential section and the garden known as Sky in the Mirror. Their relationship demonstrates a refined Jiangnan approach in which rooms unfold into outdoor scenes and every turn changes the balance between enclosure and openness. Mature trees, lotus, koi and ornamental stone add texture without overwhelming the architecture. Because much of Hangzhou’s historic private-garden heritage has disappeared, Guo’s Villa is especially valuable as a surviving example of elite domestic taste and of the subtle design principles that transformed West Lake scenery into an intimate, human-scaled environment.

Huagang Park, formally associated with the West Lake scene Viewing Fish at Flower Harbor, is a large garden of ponds, lawns, woodland and flowering collections near the southern end of Su Causeway. Its best-known feature is the Red Carp Pond, where bright fish move beneath bridges and shaded banks, creating a vivid contrast with dark water and green foliage. Beyond it, peony beds, meandering paths and open views toward the lake make the park considerably more varied than its famous name suggests. The site developed from the private garden of a Southern Song official and was later restored and enlarged as part of the imperial and modern shaping of West Lake. Fish viewing belongs to a long Chinese garden tradition in which movement beneath water becomes an object of contemplation, famously connected with philosophical debates about observing another creature’s happiness. The garden’s flower harbor, ornamental fish and framed lake views combine several layers of sensory experience without relying on monumental architecture. Huagang is thus both a historic scenic theme and a substantial twentieth-century public landscape built upon older garden memory.

Prince Bay Park occupies a gentle valley on the southern edge of West Lake, where lawns, streams, ponds and wooded slopes form one of Hangzhou’s most expansive romantic landscapes. The name recalls two Southern Song princes traditionally buried in the area, although the present park was largely developed in the late twentieth century. Its design uses irregular watercourses, arched bridges and open grass rather than dense classical courtyards, allowing long views toward surrounding hills and creating a relaxed transition between formal lake scenery and mountain woodland. The park is best known for its spring display, when large drifts of tulips bloom beneath cherry trees and other flowering plants. Dutch-inspired windmills and broad color fields add an international garden vocabulary unusual around West Lake, while mature trees and streams keep the setting connected to Hangzhou’s local landscape. Beyond the brief flowering peak, ponds, lawns and forest edges preserve a spacious pastoral character. Prince Bay demonstrates how a modern public park can absorb historical memory and global horticulture while remaining visually integrated with the UNESCO-listed cultural landscape around the lake.